How To Shoot Next Year’s Gay Pride Parade

Despite statements from the Toronto Gay Pride organizing committee that only two photographers would be allowed on the parade route during the World Gay Pride Day Parade, there were scores and scores of them.

Gay Pride-1-199

I wouldn’t think somebody was lying but more likely the parade committee lost total control of their parade and this caused major problems for spectators.

Now I picked a great spot on Yonge Street along with a couple of other photographers which was just south of a viewing area where the crowd barriers were recessed into towards the sidewalk. As we were on the south side, it was a lot like standing right in the middle of the parade. Unfortunately, being behind a barrier no matter how great a spot makes it very tough to get paraders to interact with you as they pass. This is something I’m guessing the media organizer for the parade had never thought about. Oh well.Gay Pride-1-30

Actually my biggest challenge during the day was to forcefully dissuade the many amateur and a few pro photographers who thought they could stand in front of us and shoot the parade from our vantage point. As a former newspaper photographer myself, I’m very good at being very loud and very demanding when it comes to moving these laggards along. Even so, I spent most of the last two days cropping out other photographers from my photos.

Getting politicians and other notables to stop for a photo required a lot of yelling names.

Gay Pride-1-141Thanks to Bob Rae for turning Premier Kathleen Wynne toward our lenses. Same thanks to Olivia Chow for stopping for a few seconds as well.

The Gay Pride Parade in Toronto is wonderful street theatre. Hundreds of thousands of people line the parade route and it’s a great celebration of freedom and choice.

Every year is different and this year the parade started on time which is a good thing but at six hours or so to pass was a marathon when it came to standing in the hot sun. Which BTW we picked the west side of Yonge Street just to avoid the afternoon sunshine.

There was a little rain but not enough to complain about. You’re much more likely to get hit by a stream of water from a super soaker gun so be prepared to wipe your cameras and lenses down with a soft cloth.

Because the barriers were moved onto the road way, there wasn’t the normal crush on the sidewalks along the parade route. Somebody was thinking when it came to this setup. Very good.

Here’s a link to my gallery from this year’s parade.Gay Pride-1-312

And if you’re going to shoot it next year here are my tips:

  • Wear sturdy shoes
  • Cover yourself in sunscreen
  • Do not carry a bag (especially not a big shoulder bag. One amateur did and looked miserable after an hour.)
  • Do not shoot from the side if you want great shots (Ignore the official requests and shoot from the street. You won’t be alone.)
  • Work the parade route and don’t stand in one place for any length of time (If you need to rest, sit down at the side of the road.)

How To Shoot The World Pride Parade in Toronto

ad_panel_btm-slider-1-altSunday, June 29 will see Toronto host the World Pride Parade and you can bet Marion and I are going to shoot it.Peter West Photo-1-XL The Gay Pride Day Parade has always been one of my favourite events and I’ve shot it on several occasions but this parade is like no other.

First it’s estimated that the crowd could approach two million spectators. That’s 2,000,000 hot sweaty people lining a relatively short parade route (roughly west bound on Bloor from Church, south on Yonge to Dundas. Here’s a link to the Gay Pride site.

This means that you have to arrive early to stake out your shooting location. All of the parade is enclosed by police barriers so there’s no way to shoot from the street itself. This is a huge disadvantage for photographers but that doesn’t mean you can’t find a decent sightline. i-vtjx3Tw-L

If it’s a hot day (and it often is) you must wear as little as possible (see photo to right), tons of sunscreen and a hat. Also you should carry as little equipment as possible. Wear good shoes or at the least comfortable Tevas or the equivalent. Bring water.

Because of the size of the crowds arrive really early. This year’s parade starts at 1 pm (usually it’s 2 pm) and I’d suggest an 11 am arrival time. If you’re going with a friend one of you can hold your spot while your partner finds some street food. It’s a great idea if you can locate near a place that will allow you to use their washroom :) Don’t depend on the parade starting on time.

This is a fun day and time isn’t necessarily one of the things at top of mind.

For equipment I’d suggest a camera or two capable of robust shooting. This means my Olympus cameras (which I love) aren’t quite up to the job when compared to my Nikons when it comes to fast and furious shooting. I will likely carry two camera bodies one with Nikon’s 14-24mm wide zoom and the other with my new (I bought for this parade.) Tamron 18-270mm zoom. (On special for $365 at Henry’s. It’s light and optically just fine and cheap! Great reach with the ability to capture groups of folks close in.)i-rB6DTvk-L

I’m not going to bring a camera bag as it’s just something else I have to carry and in a crowd of this size it’s not something I want to put down on the ground. (Toronto and especially Gay Pride events are very safe but that doesn’t mean I’ll drop my guard when it comes to where I put my equipment.)

I would definitely expect to shoot a few thousand frames and I will be shooting in RAW format as the lighting on the street can vary from very intense to very dull depending on the weather and I will want to compensate in post. Also the colours at this parade will easily exceed the dynamic range of my equipment and shooting in RAW helps to create the best liking images. (I tend to like vibrant coloured prints so my images online can look pretty phosphorescent.)

Once the parade ends everybody (all two million of your newest friends) will troop into what’s colloquially known as the Gay Village. Your ability to shoot photos will be severely limited solely by the crush of the crowd. Having said that there will be tons of photo opportunities to shoot very interesting and photographic images.

As in any street photography situation it’s important to be respectful but generally you can expect that anyone who dresses up (or undresses for that matter) at a public function is going to be okay with having their photo taken. Due to lingering discrimination here and life-threathening issues back home in some countries not everyone may want their photo taken or displayed online. Generally this isn’t an issue but if somebody asks do the right thing by them.

i-jzsrCnv-L

Gay or straight we can all take pride in the advances this city and its people have made to create a tolerant and safe community for everyone.

Come to the World Gay Pride Parade and prepare to have a great day :)

Here’s a link to my Gay Pride Parade 2011 shots.

And here’s a link to my Gay Pride Parade 2012 shots.

Missed last year but will be there for World Gay Pride!

Photo News

Did your copy of Photo News magazine show up in your morning newspaper delivery?

Mine did and Vol. 23, No. 2 of this free magazine is a winner.

Now a many of you know I was a national magazine editor and group editor and I’m pretty picky about what I like or don’t like when it comes to magazines and I like Photo News.

Why? First almost all of the images are first-class knockouts. Now this is personal preference only as all of the images were shot by very competent pros at the top of their games and I’m not doing a critique here but let’s put it this way: I like sharp well focused images. I like to see contrasty as opposed to bland images. That’s called snap. I like images that aren’t overly posed or overly processed. My background is news photography so I like reality and grit. Oh yeah, I like colour and black and white when handled correctly and I like images that are interesting to me the viewer and not just interesting to the photographer.

Photo News comes through pretty much on all counts.summer2014

And I especially liked the outdoor nature photography. Michelle Valberg’s cover shot (see photo) is sensational IMHO. The landscape and bird shots are amazing. You have no idea how hard it is to shoot a bird that’s no bigger than an expresso cup even if you set up a blind or a background behind your own bird feeder. BTW do you know how pros get those amazing shots of owls flying face-on towards the camera at full speed? Hate to tell you but there’s often a mouse involved who would rather not be there.

So why read photo magazines at all?

It’s to get ideas in your head for shooting when you’re in the field. At my first newspaper we got People magazine every week just to see how the big boys shot people on the run. The online site for the magazine has a shot of kids drinking from a water hose which is classic and likely setup by the photographer. You can get this priceless shot yourself using just about any camera.

BTW check the lenses that most of these photographers are using. A lot of the really good shots were made with lenses that don’t cost a lot or are available less expensively by secondary manufacturers such as Tamron. Photo News has a review of the Tamron (I’m guessing Tamron is a sponsor of the magazine but that’s okay. After my initial experience with my own Tamron 18-270mm super zoom I’m a new fan.) 90mm F/2.8 macro lens which at $500 or so is half the price of my Nikon 105 F/2.5 macro. Sure there’s a difference in the lenses but if you’re not shooting for National Geographic or doing massive blowup printing you’re not likely to see a difference from one image to the other.

The review was by Gordon Brown and here’s a link to his Flickr site. This guy is very very good :) and so is the magazine.

 

 

Tamron 18-270mm Lens

It’s been about 40 years since I bought a non-Nikon lens so why did I buy a Tamron super zoom?

$365 at Henry’s, that’s why! It’s on a special sale price right now.tamron.jpb_g

Sure you can buy the Nikon 18-300mm (or the less expensive 18-200) for $1,000 but do you really want to?

Remember there’s also the 18-105 or 18-140 Nikon kit lenses if you want so more range than what’s available from the 18-55mm but why the Tamron?

$365!!

Here’s what’s great about the Tamron 18-270…$365 and it works plus it’s very light.

A super zoom works perfectly well for what I want to use it for which is the World Gay Pride Day parade coming up at the end of the month and the Toronto Zombie Walk in October. Hundreds of thousands of people (estimates go as high as a million plus) will line the Gay Pride parade route (which closes downtown Toronto to vehicular traffic). This means for photography you’ve got to show up about two hours early to get a place along the roadside and once the parade is over the crowd walks into the gay area of Toronto so you’re going to be carrying your equipment around for five or six hours on what is often a very very hot day. You don’t want to be carrying around a ton of equipment.

Because I’m likely to be shooting very fast, the Olympus cameras that I own aren’t ideal but the Nikons are. You can shoot all day long as much and as fast as you want with the Nikons. The Olympus cameras are way better for shooting vacation shots when you’re carrying your equipment wherever you go but they aren’t as robust as the Nikons.untitled-2

There are lots of super zooms for sale these days. Sigma has a couple as does Nikon so why the Tamron? Well you know the answer when it comes to price and for outdoor special events it’s perfect.

But it’s not good at all for shooting indoors so I wouldn’t want to shoot a wedding with it unless I used the Tamron for the outdoor shots and my 35/50/85 f/1.8 combination along with my 12-24 f/4 and 17-55mm f/2.8 (which is one heavy sucker and not a lot of fun to carry for hours at a time) for the indoor stuff. Even if you paired the Tamron with a flash, it’s still not an ideal indoor setup.

The Tamron does have some macro capabilities but I already own the amazing Nikon 105 macro which you can pry from my cold, dead hands so macro isn’t an issue for me. Nevertheless the shot of the flowers in a hanging basket in shade turned out pretty well.

One thing I really like about the Tamron aside from price is the stabilization system. I’ve never found the Nikon stabilizer to be particularly wonderful but the Tamron worked well enough to get sharp shots of the cat at less than a 1/30th of a second (and no I’m not posting bad cat shots). The second thing that really delighted me was Lightroom 5 already has a corrective lens profile built-in for the Tamron 18-270.. It’s really impressive to watch Lightroom compensate for the distortion inherent in this super zoom.

So if you want a do-it-all lens be advised there is no such thing but for outdoor special event shooting any 18-200-plus super zoom is going to be a joy (with more joy shooting with the lighter lenses over longer times) but really folks $365. Insanely cheap and wonderfully useful (if you know what you’re doing).

 

 

 

7 Simple Hacks

I got this from a friend and it’s terrific. In just over three minutes of video is seven great photo hacks that can improve your photography for $0.

Lightroom Lessons Learned

First a BIG thank you to the 75-80 members of the Oakville Camera Club who came out to hear my introduction to Lightroom 5 talk last night.

It’ a little daunting for a presenter when he knows he’s got people in the crowd who don’t know anything about photo editing and these folks are sitting in the same room as people who know Lightroom inside out and some who know it better than I do !!

I can tell you as a presenter it’s a shock when you ask the attendees to put up their hand if they currently use Lightroom and 60 to 70 per cent of the hands go up.

So we do the best we can and the members of the Oakville Camera Club were gracious (as always), connected to the talk and asked great questions.

One question I could have answered better was one about using Photoshop as an external editor (You had to be there as I couldn’t get my external editors to work as my computer didn’t think I had built Smart Previews — see below — and refused to open even though all was fine at my last class a week ago.) and I said that when you save your image in Photoshop it comes back to Lightroom as changes to the data file. Well it does and, more importantly, a TIFF image is actually added to the folder of RAW images that you’ve manually imported to your hard drive. I should have emphasized the TIFF (a RAW format) more. One of the experts in the front row rightly corrected me but I’m not sure everyone heard his excellent explanation.

Which brings me to the biggest issue most people have with Lightroom and that’s how to set it up.

Here again is my recommendation:

First import your RAW or JPG images manually to an external hard drive folder marked by the year (2014) and into a sub folder named for the event (Mary’s wedding). Now make a duplicate of the 2014 folder and all the folders inside it on a second external hard drive. So you have your original, untouched, unedited images in two external hard drives. That’s pretty safe. If you’re concerned about the security of your images you could load a copy of the images to DropBox (if you have the space) or one of the other online storage sites (which you pay for). You can also burn a DVD (or several) of your images.

Only now do you fire up Lightroom and in the Library module you use Lightroom’s navigator (column on left side) and find your original image folder (Mary’s wedding and all sub folders if any) and then click the import button. At the top of your screen click on the option ADD as you’re adding a reference to the original images to the Lightroom catalogue which is being created.

You can determine which size of JPGs you want to load (minimal loads relatively quickly and 1:1 previews take more time) and if you think you might wish to edit your images at anytime when you’re not going to be connected to your external hard drives click Smart Previews (which again will slow the upload and increase the size of the catalogue) which allows for editing without connection to the original images (a new feature of LR 5). When you reconnect the hard drives the data file changes you’ve made in the field are re-associated to the original images.

Once you’ve imported your images to your external hard drives using your computer’s operating system (This is a whole lot fast than letting Lightroom do all the heavy work of moving images from a camera or memory card to your computer. LR will also create a copy of all the imports in a second location of your choice if you decide to ignore my recommendation.) then always use Lightroom’s Navigator panel in the Library Module to move your original image folders around if you decide you need to change where the original reside. If you use your operating system and manually drag images or folders around, Lightroom won’t know what you’ve done and will present you with a big ? and will be unable to edit your images until you reestablish the Lightroom – Images connection manually. Best to use your operating system to bring the images in and Lightroom to move them around from then on.

I did get asked several times whether or not I thought Lightroom was the best photo editor for them.

Of course the answer is it depends.

It depends on whether or not you’re editing thousands of images from weddings you’ve shot or vacations you’ve had. Then Lightroom is the best IMHO because you can edit, search, develop, print or export images really really quickly if you use the presets and collections features.

If you’re editing fewer than a 1,000 shots a year or so, then any decent photo editor will do (Photoshop Elements, NX Capture 2 which was just discontinued by Nikon, IPhoto, Aperture and there’s a ton more).

Here’s my recommended 10-step workflow:

  1. Import the RAW or JPG images into LR.
  2. View rapidly all the images adding a one STAR rating for keepers. (This normally takes 2000 images down to 500-700.)
  3. View the one-star images and rate the keepers with two STARS. (This normally bring the 500-700 images down to 200 images or less.)
  4. Make a collection of all the two star images.
  5. Bring all the two star images into the Develop module.
  6. In the Develop module I crop, fix the white balance (try auto first) and using the histogram I start with exposure and work my way down the right-hand column of exposure changes.
  7. Before I adjust any sliders I will click Auto in the exposure section and / or use a development present from SEIM filters (Seim has free samples. i own everything this guy has made as they speed up work and often provide insight and inspiration into what I could do to my image. Best all the preset packs are relatively cheap.) and others.
  8. If necessary or desirable I’ll edit the image using an external photo editor (This includes Photoshop which I own and all the NIK editors which are excellent.)
  9. I’ll then export the image (usually as a full-size JPG to a folder on my computer’s hard drive) for subsequent emailing, printing or web gallery viewing.
  10. Once I’ve edited all the images I save the completed and burned JPG folder to my two external hard drives and if these are precious images I will burn a DVD and likely add them to my SmugMug and Flickr sites for save keeping.

Finally I want to thank the Oakville Camera Club’s executive for the warm email which was waiting for me today in my inbox and to the members of the Oakville Camera Club who took the time last night to attend (some came from as far away as Guelph) and to say thank you in person. It was a very nice conclusion to a great evening for me.

All About Lightroom

This week I’m finishing up several workshops on Lightroom 5 which I have been presenting over multiple nights.

Here, as PDFs, are the slide show I used as my talking notes and an accompanying document filled with how-to hyperlinks.

LR5 SS.key

LR Notes.pages

I want to thank all the students in the workshops I gave over the last month and trust you find that while Lightroom is a comprehensive photo editor it is very user friendly especially when you take the time learn how to make it work for you.

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