Peter West Photo

August 19, 2008

Is it a JPEG or Raw on the viewer?

Filed under: Uncategorized — Peter West @ 2:32 am

That’s a great question asked by one of my students on the weekend. He said that if he was shooting in the combined RAW — JPEG format (so he was getting both a JPEG and Raw image at the same time saved in memory) which one was showing up on his view screen.

I said (in the heat of the battle of teaching) that I didn’t know. Having given it some thought (and yes I checked out my answer on the the Internet) the correct answer is you are viewing the JPEG image. Why? Because the RAW file isn’t an image. It’s a collection of pixels which have yet to be processed so the only image available is the JPEG.

I knew I knew that. I just didn’t know it when I was asked. Honest :) No really :) :) I mean it….. ‘)

Got three classes this weekend at Henry’s School of Imaging and it looks like we’re generating quite a bit of interest in our photographer’s dream trip to Israel.

 

 

August 13, 2008

It’s true!! We’re going to Israel on a Photo Tour!!

Filed under: Uncategorized — Peter West @ 11:18 pm

Yes it’s true. What was just an idea has blossomed into a a reality. Next year, we’re going to Israel and we hope you’re coming with us.

Here’s the link: www.canadaphototours.com

Michael Willems and I are organizing a photo adventure to Israel.

As you should know by now both of us have been teaching at Henry’s School of Imaging and so many of our students have asked about what is the next step for them in their photographic development (pardon the pun which film photographers will get) and this is it.

We’ll have lots more to say about this great adventure so stay tuned and email me at peterwestphoto at gmail.com to reserve your spot or to get more information.

 

Why will some cameras work without a memory card?

Filed under: Uncategorized — Peter West @ 11:41 am

Great question. And one for which I didn’t have a ready answer. But thanks to one of my students we found out at least one good reason. You see it would seem to make sense that a digital camera should not work without a memory card. Who wants to be shooting all day just to find out that there was no memory card to record the images inserted into the camera. Some cameras have a warning in the menus that you can switch on to alert you to that there is no memory card present. But why not just make it necessary to insert a card before shoot?

Here’s the answer and I really should have remembered it. Some photographers, especially those working in a studio with their clients reviewing their work as they shoot, don’t use memory cards but have the camera tethered to the computer through the USB cable so their images are (a) saved on the computer’s hard drive and (b) are immediately visible on the computer screen.

Of course! And, I saw this in one of the online You Tube photography videos. Thanks to my astute student for reminding me and offering this explanation to the class.

August 12, 2008

What does this button do?

Filed under: Uncategorized — Peter West @ 7:37 pm

This was one of the questions during my Canon Rebel workshop at Henry’s School of Imaging in Mississauga last weekend. And my answer was: I don’t know (well actually I did) but why don’t you push it and find out!”

I swear I actually saw a lightbulb light above this guy’s head as he realized he could find out for himself. This is a great lesson to learn. With the new digital cameras, with their ability to be reset back to factory specifications, you can experiment with your camera on your own.

Now there are a couple of settings that don’t automatically get reset. One is white balance which should be set on Auto White Balance (AWB) and an exposure or flash compensation that you’ve dialled in or out. On the Nikon cameras you will also want to reset the size of images from normal to large.

August 11, 2008

Great Books

Filed under: Student Info — Peter West @ 6:36 pm

I’m always getting and reading new photography books. Here are a couple of really good ones for beginners:

  • Can’t recommend Scott Kelby’s  The Digital Photography Book Volume One and Two enough. Simple tips one page at a time for all aspects of basic digital photography.
  • Joe McNally’s big claim to fame is his work in National Geographic magazine, Time and Sports Illustrated. His new book The Moment It Clicks is all about “how to get this shot” where he shows you one of his images and then reveals in detail how to do it. Great stuff.
  • For those of you a little farther down the education path don’t miss Ansel Adams’s three-book classic series The Camera, The Negative and The Print. While Adams is talking about film photography and darkroom work, the basics are even more applicable in today’s digital world of wonders.

And, as always, just keep shooting. You’ll get better the more mistakes you make :) At least that’s how I learned.

August 10, 2008

War photography

Filed under: Uncategorized — Peter West @ 2:07 pm

Some of the images in this weekend’s newspapers of the conflict that has broken out in Georgia are both amazing and terrible at the same time. They’re amazing because they portray what happens to civilians caught in the middle of a small war. And they’re terrible for the same reason. War photographers will be flocking to the region. Expect more and it won’t be pretty.

OPP know the law when it comes to photography

Filed under: Uncategorized — Peter West @ 1:02 pm

Finally a good news story about cops and photographers. Way back when in another life in a galaxy far, far away I worked for the Ontario Provincial Police as a media relations officer. It was my good fortune to help train cops on how to handle the media during crisis situations. And, I do mean manage. I was being paid to help cops who often alone, hundreds of miles away from help from headquarters, had to deal with the media on a local and sometimes national basis.

Remember this was before the days of cell phones (We had one but it was the size of lunch pail and our chief inspector kept it hidden away. It cost a fortune.). It was also a time when cops around the world were finding reporters were getting increasingly more aggressive and sure of themselves when confronting authority. It no longer worked to tell a reporter to go home or stop taking photos (which happened to me a lot when I was a press photographer. Of course, I didn’t listen and in fact got….well arrested is too strong a term…let’s say I got detained a couple of times until a sergeant arrived and sorted out the “misunderstanding” and there were apologies all around).

Anyway I used to ask the cops in my classes two questions: One do you know the law? And second: Are you carrying out your duties correctly in respect of those laws?

The correct answers were, of course, “Yes I know the law and yes I am carrying out my duties accordingly.”

Then I would ask: So what is your objection to having your photograph taken while you are doing your job for which you are being paid by the public and, for the most part, you are carrying out in public places in front of the public you serve?

Well that would stop them and a great discussion would follow.

I loved the “stories” about how the media had “burned” them or “misquoted” them. And my answer was nobody burned you but you walked into a firestorm of your own making. And if you’d handed out printed statements (called press releases) or had the press conference taped then you’d much less likely to be “misquoted”. And, in fact, what I discovered was usually nobody was misquoted but what had happened was whoever was being quoted didn’t like (or worse their boss didn’t like) what they had actually said after the fact and then blamed the media for “getting it wrong.”

By the time I finished training these officers they were bullet-proof as far as working with the media was concerned.

I told them if they spoke about what they knew to the extent that the law would allow (In other words I told them they could talk about what they were doing or investigating so long as they didn’t speculate, criticize or characterize or in other ways threaten the prosecution that would follow) and didn’t talk about force policy (that was up to their boss), then it was extremely unlikely that they would get into trouble speaking with the media. In fact, if they didn’t speak to the media (or worse refused to speak) then they created a suspicion of a cover up or mishandling of the situation.

So to the point of my little tale: There’s a story on page 24 of The Toronto Sun where longtime reporter Peter Worthington was at the scene of an inspection of an exotic animal farm by two inspectors from the Society of the Prevention of Cruelty to Animals accompanied by an OPP officer. The SPCA inspectors were very unhappy to have Peter ask them some questions and according to the story told him “It was none of his business” what they were doing. They asked the OPP officer to prevent Peter’s granddaughter from taking pictures and “blessed be” the officer told the inspectors that she had no authority to stop anyone from taking photos (usually photographers are charged with obstruction and most often the charges are thrown out in court).

One of SPCA inspectors said that in an previous article about the exotic farm Worthington had referred to the inspectors as men. They weren’t but since Worthington had not met them how was he to know their gender? Considering their attitude I doubt they made it clear to the reporters that they were women. And quite frankly it’s got nothing to do with the issue at hand and would have been self-evident if they had taken the time to work with the media instead of trying to avoid them. And then this inspector has the nerve to complain. Stupid. Sorry but that’s what it is.

It’s great news that the OPP is still training its officers to understand the law they uphold. Too bad about the SPCA inspectors.

August 8, 2008

Nikon: How do I love thee…let me count the ways

Filed under: Uncategorized — Peter West @ 12:58 pm

I’ve been shooting with Nikons since my first Nikkormat which I bought sometime in the early 70s. Now I’m shooting with a new D300 and yes I am impressed.

marion-3

Here’s a shot of Marion at a pub which we visited with Michael Willems and his lovely wife Nancy on Sunday last after the art show. I was using my new 17-55 f2.8 lens and I just fired off a couple of quick frames.

Thanks to Nikon’s NX Capture 2 which arrived by courier yesterday I blacked out the distracting background, sharpened the image a little, darkened it a bit and as far as I’m concerned it’s one of my most successful images so far with the D300.

Is there a D700 in my future. What do you think :) ?

August 6, 2008

Flickr Support First Class

Filed under: Uncategorized — Peter West @ 12:52 pm

I mentioned that I have moved my photos from my Flickr account to Smugmug because I was having problems changing some of the setup in the background on Flickr. In desparation and after much fooling around I finally sent Flickr a “help me!!” emails and guess what? Within 12 hours Flickr sent me a solution. Very cool Flickr. Very, very cool.

So thanks Flickr.

By the way Flickr is a great place to display your photos (keep your images small if you’re using the free account and don’t hesitate to buy a pro account which allows you to upload a whole lot more as far as size of images is concerned. Obviously nice people who understand customer service.

Now as for Smugmug I do like it a little better for displaying my professional photos (I still need to work on the site) and I may not stay there forever especially when I start selling online but for now it’s a pretty easy site to navigate and the small cost per year is acceptable to me.

August 5, 2008

Another Art in the Park Experience

Filed under: Uncategorized — Peter West @ 4:54 pm

Mike Whillems, who is a fellow teacher for Henry’s School of Imaging, myself and our wives went for a leisurely stroll through the “art in the park” held yesterday in Bronte down by the harbour. I guess there would have been about 100 exhibitors of which 10 per cent or so were photographers. I think Michael will agree with me when I say of the 10, two were really pretty good, two were more than okay and the others spiralled down to pretty awful.

 

DSC_8372

Marion, Michael, Nancy and me (well sort of)

So what made the best, better than the rest?

Here’s the list:

  • perfect exposures resulting in deep colours
  • interesting subjects
  • really well composed in the camera
  • understanding of the basic rules of composition
  • well displayed
  • friendly and talkative photographer

What made the second tier so good:

  • well exposed images often resulting in deep colours
  • usually interesting subjects
  • composure often could be better
  • seems to know some of the basic rules of composition
  • well displayed
  • friendly and talkative photographer

So why were the rest not as good?

  • poorly exposed images resulting in muted colours or even colour casts
  • uninteresting subjects (shots around the home don’t cut it)
  • poorly composed photos that looked more like snapshots
  • no rules of composition present
  • not as well displayed
  • sullen or indifferent “artist”

We reached a couple of conclusions I think.

First: It’s not enough to be a “good” artist. You need to be a good marketer. A “good” marketer can outsell a “good” photographer.

Second: All you really need is $100 for the booth, a covered display tent, a camera (type and size of no importance whatsoever) and some photos on display.

Third: Talent helps but isn’t essential.

My favourite photographer doesn’t appear to even have a website! My guess is he shoots weddings for money and shoots landscapes for fun. He’s using a full-frame 35mm digital SLR and his images are fabulous. The really nice thing is he’s about my age (60 soon). Made me feel really good.

Finally to Droum East Photography’s Gillian Horgan, who was my number two choice (very subjective and presumptuous on my part and number two not by much more than a blink of the eye) please please add more of your wonderful photos to your website. You are a gifted photographer and more people need to see your work. Both Michael and I agreed that Gillian’s work is terrific. There is something very special about the way she sees and shoots. I would wish that I was so blessed with talent.

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